References::

Bibliography: General

Aarseth, Espen J., 1997: Cybertext: Perspectives on Ergodic Literature .  Johns Hopkins University Press, Baltimore and London.

Apollinaire, Guillaume, 1971: Selected Writings of Guillaume Apollinaire ; translated with a critical introduction by Roger Shattuck (first translation 1948).  New York: A New Directions Book.

Burroughs, William S., 1986: “Cutting Up Characters” in The Adding Machine: Selected Essays .  New York: Arcade Publishing.  Pp. 189-191.

Canguilhem, George, 1992: “Machine and Organism,” in Incorporations, ed. Jonathan Crary et al. Zone. Pp. 45-67.

Cilliers, Paul, 1998: “Self-organization in Complex Systems,” in Complexity and Postmodernism: Understanding Complex Systems. Routledge, New York. Pp. 89-111.

Cosseboom, Roger, 2004: "The Space of Language," at http://www.thesocietyforpotentialliteratures.com/html/043.html

Deleuze, Gilles; Guattari, Félix, 1987: A Thousand Plateaus: Capitalism and Schizophrenia , translation and foreword by Brian Massumi. Minneapolis, London: University of Minnesota Press.

Douglas, J. Yellowlees, 2001: The End of Books – Or Books without End?: Reading Interactive Narratives. University of Michigan Press, Ann Arbor. Pp. 27-36.

Emanuel, Lynn, 1998: “Language Poets, New Formalists and the Techniquization of Poetry, ” in Poetry after Modernism, ed. Robert McDowell. Story Line Press. Pp. 45-67.

Hesse, Carla, 1996: “Books in Time,” in The Future of Books, ed. Geoffrey Nunberg. University of California Press, Berkeley, Los Angeles. Pp. 21-33.

Higginson, William J., 1985: “The Haiku Movement in English ” (chapter 5); “ The Form of Haiku ” (Chapter 8), in The Haiku Handbook: How to Write, Share, and Teach Haiku. Kodansha International, Tokyo, New York, London.

Johnson, Steven, 2001: Emergence: the Connected Lives of Ants, Brains, Cities and Software . London: Penguin Books.

Le Lionnais, Francois: The Two Manifestos; translated by Warren Motte Jr..

Landow, George P.: “Other Convergences: Intertexutality, Multivocality, and Decenteredness”

Murray, Janet H., 2001: Hamlet on the Holodeck: the Future of Narrative in Cyberspace . Cambridge, Massachusetts: MIT Press.

Queneau, Raymond, The Foundations of Literature: “ First Group of Axioms ” (translated by Harry Mathews)

Queneau, Raymond, The Foundations of Literature: “ Second Group of Axioms ” (translated by Harry Mathews)

Queneau, Raymond, 1998: “Potential Literature,” in OuLiPo: a Primer of Potential Literature, ed. Warren Motte Jr.. Dalkey Archive Press.

Roberts, Eric S., 1986:Thinking Recursively.

Shattuck, Roger, 1971: Selected Writings of Guillaume Apollinaire. New Directions Books, New York. Pp. 18-29.

Sobieszek, Robert A. 1996: Ports of Entry: William S. Burroughs and the Arts.  Los Angeles, New York: Los Angeles County Museum of Art, Thames and Hudson

Generative Arts

Bibliography:

Bill Hammel, "An essay on patterns in musical composition transformations, mathematical groups, and the nature of musical substance," at: http://graham.main.nc.us/~bhammel/MUSIC/compose.html

Bruce Morrissette, “Post-Modern Generative Fiction: Novel and Film,” Critical Inquiry , 2, No. 2 (Winter 1975), pp. 253-63.

Bruce Morrissett et al, Intertextual Assemblage in Robbe-Grillet: from Topology to the Golden Triangle ( York Press, 1979).

Alain Robbe-Grillet, Bruce Morrissette, Diane Kirkpatrick, Karlis Racevskiks, and David Leach, Generative Literature and Generative Art: New Essays (York Press, 1983).

Celestino Soddu's introduction to the Generative Art Conferences: http://www.generativeart.com read on January 21, 2005 .

Celestino Soddu, “The Design of Morphogenesis: an Experimental Research about the Logical Procedures in Design Processes” (DEMETRA Magazine, #1, 1994)
http://www.generativedesign.com/demetra2.htm

Adrian Ward, “How I Drew One of My Pictures: or, the Authorship of Generative Art”
(New version) http://www.generativeart.com/99/0399.htm
(Old version) http://www.generative.net/papers/autoshop/index.html

List of work examples for Generative Art in visual arts:

Josef Albers (1) “Homage to Square” series (1950s)
Frank Stella (1) “Protractor Series” (93 paintings based on 31 canvas formats each with 3 compositional types)
Sol LeWitt (1) “Squares with Corners Torn off” (1975) X
(2) “Modular Open Cube”
Dorothea Rockburne (1) “Set” (1970) – inspiration from Mathematics
(2) “Radiant and Fields” (1971) – concept of units becoming more complex X
(3) “Drawing That Makes Itself” (1973) X
Jennifer Bartlett (1) “Rhapsody” (1975-76)
Doug Huebler (1) “Duration Piece No. 6” (NY, 4/1969) – photo series X
(2) “Location Piece No. 6” (1970) X
(3) “Duration Piece No. 7”
(4) “Location Pieces No. 7”
Sonia Sheridan (1) mono-prints series based on one image (1963-64)
(2) “Unwind the Wheel of Time” (1979) – eight drawings X

Generative Art web resources:
http://www.generative.net/
http://www.generativedesign.com/
http://www.generativeart.com

http://www.levitated.net/ (Jared Tarbell's site)
http://www.thesocietyforpotentialliteratures.com/html/043.html

Dakadaka (Casey Reas): http://www.groupc.net/work.php?section=software&work=dakadaka_s

Generative poetics: http://dataisnature.com/?p=82

Estrategias Generativas (Paul Prudence): http://www.transphormetic.com/intro.htm

Jim Andrews' links page at http://vispo.com/misc/links.htm (Flash work engaged with some intensity in language)

Programming:
Introduction to programming - reference:
http://itp.nyu.edu/icm/shiffman/week1/index.html

Processing:
Official Website:
http://www.processing.org

Fundamental of programming - programming in processing
http://sweb.cityu.edu.hk/sm1204/

Flash Programming:
Always look at this first, good for beginner::
http://www.macromedia.com/support/flash/action_scripts/actionscript_tutorial/
http://www.kirupa.com/developer/mx/index.htm
http://www.actionscripts.org/tutorials.shtml
http://www.flashguru.co.uk/category/flash-tutorials/
http://www.flashkit.com/tutorials/Actionscripting/

Math & Physics in Flash
http://www.intmath.com/TrigGrph/1_GrSC.php
http://www.tutorialized.com/tutorials/Flash/Math-Physics/1

 

MORE RESOURCES ON Flash AND Processing

Flash Art Online.com
http://www.flashartonline.com/index.php

PRAGUEBIENNIALE 3 on flash art (May 24 to September 26, 2007)
http://www.flashartonline.com/pg_PRAGUE_BIENNALE3.htm

Flash-based Generative Works
 Thomas Petersen
http://www.crossover.dk/landscape/
http://www.crossover.dk/mutations/
http://www.crossover.dk/trace/

David Jhave Johnston (Canada) (a poet-programmer using flash; works often synthesize video, text, and interactive programming
http://www.glia.ca

Andy Campbell (UK) (interactive Flash fiction with strong visuals and glimpsing narrative)
http://dreamingmethods.com

Dan Waber (USA) (a suite of poems called "strings")
http://vispo.com/guests/DanWaber

David Clark (Canada) (an archaeology of the apple)
http://aisforapple.net

Babel (Canada)
http://babel.ca

Jakob Dvorsky (Czech) (a very visual, puzzle-like interactive story)
http://analogik.com/mm_rev_samorost.asp

Jogchem Niemandsverdriet (Netherlands) (a literary site with many strong Flashworks)
http://nobodyhere.com

Jason Nelson (Usa) (a unique literary style developed with Flash)
http://www.secrettechnology.com/works/everything.htm

Brian Kim Stefans (USA) (works on moving typography)
http://www.ubu.com/contemp/stefans/dream
a catalogue of flash typography moves.

Christopher (South Africa) (book of poetry)
http://www.thewordproject.com

Grant Robinson (USA) (a flash language/vis game. guess the google.)
http://grant.robinson.name/projects/guess-the-google

Jared Tarbell (USA)
http://levitated.net
(See also his Processing site: http://complexification.net)

Processing-based Generative Works
Jared Tarbell (USA)
http://complexification.net