SM1012 Creative Writing Workshop

Reading List & References:

Reading List:

Honore de Balzac, Old Goriot; ¤Úº¸¤ã§J¡G¡m°ª¦ÑÀY¡n

Roland Barthes, Love Discourse ùÄõ¡E¤Ú¯S¡G¡mÅʤHµ¶»y¡n

Italo Calvino (1972): ]Invisible Cities [ ¤¤Ä¶¥»¡G¡m¬Ý¤£¨£ªº«°¥«¡n¡A¥ì¶ðù ¡Eƒn ¥dº¸ºû¿ÕµÛ¡A¤ý§Ó¥°Ä¶

Italo Calvino, Racconti ¥ì¶ðù¡E¥dº¸ºû¿Õ¡G¡m¦b§A»¡³Þ¤§«e¡n

Italo, Calvino, The Castle of Crossed Destinies ¥ì¶ðù¡E¥dº¸ºû¿Õ¡G¡m©R¹B¥æ´ªº«°³ù¡n

Albert Camus: ¡§The Rains of New York¡¨ (from Lyrical and Critical Essays)

¥[Á[¡G¡m¶Ë¤ß¤§®È¡n

Marguerite Duras, Hiroshima Mon Amour º¿®æÄR¯S¡E§ù©Ô´µ¡G¡m¼s®q¤§ÅÊ¡n

Marguerite Duras, L¡¨amour º¿®æÄR¯S¡E§ù©Ô´µ¡G¡m·R¡n

Marguerite Duras, Writing º¿®æÄR¯S¡E§ù©Ô´µ¡G¡m¼g§@¡n

Goethe, The Sorrows of Young Werther ºq¼w¡G¡m¤Ö¦~ºû¯S¤§·Ð´o¡n

Elfriede Jelinek, Die Liebhaberinnen ¦ãͽ¯P¡E¸­§Q¥§§J¡G¡m¤k±¡¤H­Ì¡n

Franz Kafka, Metamophosis; ¥d¤Ò¥d¡G¡mÅܧΰO¡n

Anais Nin (193?): ¡§Ragtime¡¨ (from Under a Glass Bell)

Marcel Proust, In Search of Lost Time / Remembrance of Things Past; ´¶¾|´µ¯S¡G¡m°l¾Ð³u¤ô¦~µØ¡n

Jean-Philippe Toussaint, La Salle de bain Åý¡Eµá§Q®ú¡E¹Ï´Ë¡G¡m¯D«Ç¡n

Mishima Yukio [ ¤T®q¥Ñ¬ö¤Ò]: ¡§Fountains in the Rain¡¨ (from Acts of Worship: Seven Stories, translated by John Bester)

§ø¤W¬K¾ð [Murakami, Haruki] ¡G¡m¹qµø°ê¥Á¡nOR ¡m¥@¬É¥½¤é»P§N»Å²§¹Ò¡n¤W¡B¤U( ¿à©ú¯]Ķ) OR ¡m¥@¬ÉºÉÀY»P§N»Å¥P¹Ò¡n( ªL¤ÖµØĶ)

¤ý¦w¾Ð (1996) ¡G¡mªø«ëºq¡n ( ²Ä¤@³¹)

¤ý¦w¾Ð¡m´M§ä¤W®ü¡n

¦è¦è (1974) ¡G¡m§Ú«°¡n

¦è¦è (1982) ¡G¡§ ªÎ¤gÂíªº¬G¨Æ¡¨

¦è¦è (1982) ¡G¡§ ¹³§Ú³o¼Ë¤@­Ó¤k¤l¡¨

¦è¦è (1986) ¡G¡§ ¯B«°»x²§¡¨

¦è¦è¡G¡m«÷¹Ï¹CÀ¸¡n

±çªÃ¶v (1992) ¡G¡m§Î¶H­»´ä¡n

®L¦t¡G¡m¼¯À¿¡DµL¥H¦Wª¬¡n

¶ÀºÑ¶³¡G¡m¯P¤k¹Ï¡n

±i¤j¬K¡G¡m¤Ö¦~¤jÀY¬Kªº¥Í¬¡©P°O¡n

±i·R¬Â¡G¡m¤Ñ¤~¹Ú¡n

±i·R¬Â¡G¡m¦â¡E§Ù¡n

±i·R¬Â¡G¡m¤W®üªá¶}¡þ¸¨¡n

¸³±Ò³¹¡G¡m¦a¹Ï¶°¡n

¸³±Ò³¹ (1998) ¡G¡§ ­³¯Â¦b«Â´µ³ùªº§Ö¼Ö®Èµ{¡¨ [Dung Kai-cheung: ¡§Vision Invisible: the happy journey¡¨]

¸³±Ò³¹ (1998) ¡G¡mV «°Ác³Ó¿ý¡n [Dung Kai-cheung: Visible Cities]

¾¤¨v¼_ ¡B ³¯¶W±Ó (2004) ¡G ¡m¶H¤å¡P ¤å¶H¡G¤jµó¤W¨â±i¼L¤Ú¦bµ¶µ¶¥o¥o¨âÂù²´·ú¦b§ä¤ë¥ú¥ú¡n; Linda Lai & Theresa Mikuriya (2004): Crypto-glyph: Dialogues in Many Tongues in the Hidden Crevices of an Open City.

Áú¤Ö¥\¡G¡m°¨¾ôµü¨å¡n

Other References: theoretical, inter-disciplinary:

ù¸t²ø (1995): ¡m·LÆ[­»´ä ¡n [Sun-Chang Lo:Hong Kong: A Micro Vision]

Yvette Biro; and Marie-Genevieve Ripeau (1998): To Dress a Nude: Exercises in Imagination (trans. Carol Volk), Kendall/Hunt Publishing, Dubuque , Iowa .

K. Brophy (1998): Creativity: psychoanalysis, surrealism and creative writing, Melbourne University Press, Melbourne .
-- ¡§Masterpiece: a short story¡¨ (essay)
-- ¡§Creative Writing and Institutions of Education¡¨ (essay)\
-- ¡§The Surrealist Unconscious: strategic rewriting or perfect knowledge?¡¨ AND ¡§Irresponsible Authorship: free association and thought-writing¡¨

F. Busch (ed.) (1999): Letters to a Fiction Writer, W.W. Norton , New York and London .

T. Clark (1997): The Theory of Inspiration: Composition as a crisis of subjectivity in Romantic and post-Romantic writing, Manchester University Press, Manchester & New York .
-- ¡§Surrealism, inspiration and the mediations of chance in Andre Breton¡¨ (essay)

Sigmund Freud (1997): Writings on Art and Literature, Stanford University Press, Stanford.
-- ¡§The Occurrence in Dreams of Material from Fairy Tales¡¨ (essay)

Leung Ping-kwan (1992): City at the End of Time; introduction by Ackbar Abbas; translated by Gordon T. Osing and Leung Ping-kwan; Hong Kong , Twilight Books, in association with Dept. of Comparative Literature, the University of Hong Kong .

McCarry, ¡§Between the Real & the Believable¡¨

Hector Rodriguez (2004): "Automatism," a manuscript for a public presentation at the City Festival (January 2000) -- "Nokia Creative Rap Ra-Ra", Fringe Club, Hong Kong, collected in Linda Lai & Theresa Mikuriya, Crypto-glyph: Dialogues in Many Tongues in the Hidden Crevices of an Open City.

Roger von Oech's Creative Whack Pack