Digital Audio Recording Techniques and Surround Sound Production
Book your place now:
All bookings for places should be made by e-mail. The Seminar and Workshop will be held over the following period:
Day One: Thursday 22nd February 2007: 10am-6pm
VENUE: Shaw Studios
TOPICS:
10am-1pm: Designing the set up for a film scoring
session. Participants will be guided through the steps involved in designing
the seating arrangement for a film scoring orchestra; microphone choice
and placement; audio recording and monitoring systems; and the inclusion
of the composer’s DAW on the scoring stage to assist in conducting and
post-production.
3pm-6pm: Orchestral audio recording for film, featuring the Hong Kong Philharmonic Orchestra
Day Two: Friday 23rd February 2007: 6pm-9pm
VENUE: City University of Hong Kong, School of Creative Media
TOPICS:
Computer mock-up orchestra verses real orchestra: techniques for
combining real and virtual instruments; over dubbing techniques for small
ensembles to create the illusion of a large ensemble.
Special guest: Hollywood film composer Chris Stone from Audio Impressions www.AudioImpressions.com
Day Three: Saturday 24 February 2007: 1pm-8pm
VENUE: City University of
Hong Kong, School of Creative Media
TOPIC:
Hollywood scoring session from 20th Century Fox’s Newman Scoring
Stage; surround audio mixing, audio mastering, delivery formats
Limited seating available: preference will be given to industry professionals. To enrol, please click the link below:
